Fertile Ground Brazil Series
Painting with the Land Itself
A Contemporary Homage to the
Fertile, Rich and Sacred Territory
Like Mining…
Historical Background: A Letter to the King
Brazil, a Fertile Soil from the Beginning
Fertile Ground Brazil is a series rooted in the very first written impressions of the land that would become Brazil. When Portuguese navigators arrived in 1500, chronicler Pero Vaz de Caminha famously wrote to the King of Portugal that in this territory “everything that is planted grows and flourishes.” That early observation—half marvel, half prophecy—has echoed through centuries of history, shaping the global image of Brazil as a land of abundance, promise, and inexhaustible fertility.
Created by Brazilian artist Orlando Rafael, of Dutch and Indigenous Brazilian descent, the series revisits that foundational moment through a contemporary artistic language. Across 29 paintings, Rafael incorporates earth, dust, clay, and stone taken from Brazilian soil into acrylic and resin, turning the physical ground of the country into the very substance of the work. What once inspired wonder in early explorers becomes, here, a tactile and visual reality: the land itself speaks.
The paintings operate as both homage and reflection. They honor the historical narrative of Brazil as a place “ready to bear fruit,” while also confronting what that fertility has meant across time—from colonial desire and agricultural expansion to modern industry, mineral extraction, and technological development. Since antiquity, earth and pigments drawn from it have carried sacred value, used in ritual, burial, architecture, and art. In Rafael’s hands, these same materials bridge eras: from humanity’s earliest reverence for soil to today’s reliance on subterranean resources that fuel economies and define nations.
Each canvas becomes a terrain in its own right, layered with sediment-like textures and earthy chromatic fields. Gesture and material merge, suggesting cultivation, erosion, growth, and transformation. The works do not simply depict fertility; they enact it, converting raw ground into luminous surfaces charged with cultural, historical, and symbolic weight.
Fertile Ground Brazil ultimately frames the country’s soil as a continuous protagonist in its story—celebrated from the first colonial letter to the present day, when land remains both sacred inheritance and strategic resource. The series proposes that Brazil’s fertility is not only botanical or geological, but also imaginative: a source of memory, identity, and ongoing creation, embedded in the ground from the very beginning.
3D
CONTEMPORARY
Nova Iguaçu / Rio
2018 / 2019